The last time I did these, I complained about the lack of gay. This time, no, sadly the song isn’t gay either except for a tenuous connection. There appears to be a performance of this song by Lys Assia sung at Pride in Stockholm 2013. That’s it that’s all the gay to this song. Not much, but at least a taste of what’s to come in future decades.
On that note, Lys Assia was very much part of the future of the Grandprix Eurovision de la Chanson the Européenne, at least in part due to this song. May I present to you the winner of 1956 Eurovision song contest: Lys Assia with Refrain.
It’s a song that fits exceedingly well in the general field of its chanson-style competitors, maybe too much so. It’s not an uncontroversial winner, not because it was considered a bad song at the time, but because there are rumours about rigging the jury process in its favour. The 1956 Grandprix Eurovision de la Chanson Européenne, 1956 had a voting procedure that would never again be repeated in Eurovision history and had some weird provision for replacing the jury from Luxembourg that couldn’t be present at the time of voting. The voting itself was secret, and except for the winner, there were no results published, which probably didn’t help to disperse the rumours that the swiss jury had used the votes from Luxembourg to let the Swiss entry win.
These allegations, however, shouldn’t influence an honest judgement of the song. I already mentioned that it fits well into the general field of its competitors and I think that’s the best I can say about this song. To be frank, I’m kinda done with chanson-style songs, but I guess this is the shitty endeavour I chose to go on. And now I have to live with it.
So, let’s get on with it. After a flare-up of the winds, the song starts with harmonising background vocals that set it apart from many other songs of the ESC 1956 and do in fact provide a good intro to the song. Lys Assia’s voice sets in after that and provides tonal contrast. and from there the song meanders in typical chanson-fashion, slowly curving between highs and lows.
Lyrically again this song hits on standard themes of the love songs of this competition. Allusions to nature and the description of a luscious garden lend themselves to metaphors for love and a call to the wasting years reminds the listener of how undying heartache can be. All that, is a pretty standard love song, without much flourish in narration nor much musical deviation from the norm.
Why did it win? Well, it is pleasing enough, but honestly, I can’t really shake the allegations that concern the voting process away. It seems too standard a song to win on its own, but then the competition was a competition amongst artists then more than between songs and indeed Lys Assia does hit her notes quite well and has an outright beautiful voice.
I don’t really have more to say, I’ll leave you with the continuing playlist and hope you have a good start to your year. Farewell!